Download Understanding Illuminated Manuscripts: A Guide to Technical Terms, Revised Edition (Looking At)
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Understanding Illuminated Manuscripts: A Guide to Technical Terms, Revised Edition (Looking At)
Download Understanding Illuminated Manuscripts: A Guide to Technical Terms, Revised Edition (Looking At)
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Review
"Equally useful for scholars, students, and casual museum visitors, it provides many of the essential tools for both understanding and enjoying these beautiful books." --Times Higher Education." . . a vital reference point for anyone keen on medieval culture or the history of the book." --Apollo
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About the Author
Michelle P. Brown is professor emerita of medieval manuscript studies at the School of Advanced Study, University of London. She was previously curator of the manuscript collections at the British Library (1986–2004). Elizabeth C. Teviotdale is assistant director of the Medieval Institute at Western Michigan University. She previously worked in the J. Paul Getty Museum’s Department of Manuscripts (1992–2002) and is the author of The Stammheim Missal (Getty Publications, 2001). Nancy Turner is conservator of manuscripts in the Department of Paper Conservation at the J. Paul Getty Museum.
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Product details
Series: Looking At
Paperback: 128 pages
Publisher: J. Paul Getty Museum; Second Edition, Revised and Expanded Edi edition (December 4, 2018)
Language: English
ISBN-10: 1606065785
ISBN-13: 978-1606065785
Product Dimensions:
6.2 x 0.4 x 9.2 inches
Shipping Weight: 11.2 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
19 customer reviews
Amazon Best Sellers Rank:
#220,235 in Books (See Top 100 in Books)
Like another reviewer, this book was not entirely what I expected, since I glossed over the part which said that it was "A Guide to Gechnical Terms" suggesting a dictionary. The book is arranged entirely on an alphabetical listing of terms relating to pre-Guttenberg illustrated books. What was surprising, and possibly a bit "putting offish", is that the entries cover a wide range of material, roughly divided into the areas of 1) Bookbinding techniques, 2) Symbols painted on the pages and 3) Historical information about major Illuminated manuscripts.It is this variety which makes the book suitable for reading cover to cover. You never know what you don't know, or what may be relevant. I'm sure there are books which cover these three subjects individually. I was expecting that the book would cover the symbology and heraldry of the illustrations, but I welcome the others.If you have NO books on illuminated manuscripts, then I suggest this one. If you have lots already, this one may be too shallow. It is certainly a good "first book" on the subject.
127 pages, 60 color illustrations.This is one of the most beautiful books about illuminated manuscripts I know. The layout of the entries, the explanatory notes, and the many (mostly) color illustrations make this book a very handy and synoptic handbook.Because the editor planned an edition of rather moderate dimensions, some sacrifices had to be made. The rather important production of illuminated manuscripts by the Islamic world and far east countries like China and Japan are not included. I even wonder if they should have been included because the technical terms are more than sufficiently illustrated by the West-European examples. After all this is not an art history-book with an exhaustive intellectual content.Everyone with an interest in the Middle-Ages of western Europe should have this book in his library. A lot of technical terms provide also some insight in medieval society. I would like to give an example. An excerpt from the notes for the entry 'Breviary': "...From the eleventh century on, the various volumes used during the Divine Office (psalter, antiphonal, lectionary, martyrology, and others) were combined to form the breviary which was initially only used by monks but was popularized - in a slightly abridged form - by the Dominicans and Franciscans in the 13th century...."It's beautiful, it's interesting. What more can I say?
I found this title in the bibliography of the free online paleography course InScribe (historyspot.uk.org), and highly recommend the book and InScribe. (InScribe has an interactive transcription tool for multiple medieval hands. It is not "finished," but what is available is great.)The book is a thin, sturdy, paperback Getty book first printed in 1994. It is arranged like a dictionary and has tiny color reproductions that are well-chosen, lovely examples of dictionary entries. A calligrapher, I find the book quite useful. Entries include writing and illuminating, liturgical, and Western (not Hebrew or Islamic) cultural terms. Examples, unfortunately, are too tiny for me to copy.
While I realize that the book is a guide to technical terms, you need to know what they are on a manuscript first before you can look it up! Think of it like a dictionary for manuscripts, if you're looking at a manuscript described as an octavo, you can look it up and find the definition in this book. On the other hand, if you're looking at a manuscript and have no idea what an element on the page is called, you're out of luck.I was hoping the book would be a breakdown of manuscripts by their parts in a more educational formats, but alas, that is not the case. This book is for you if you have the technical terms presented to you and you are needing the definition.That said, it's got great information and wonderful illumination examples inside. I'll be keeping the book anyway.
This beautifully appointed book should serve the perfect guide for all but the most adnaced students in the field. Terms are explained in concise and understandable terms and appropriate images are provided in beautiful colored photographs.
This little volume provides brief definitions of all the important phrases and terms used in the study of illuminated manuscripts including forms, techniques, themes, and periods.Great for understanding the differences between an historiated initial and an inhabited initial - or between an antiphonal and a gradual.Most of the representative images are in color and are well chosen to illustrate the definitions. Perhaps their only drawback is their small size due to the size limitations of the book itself.A great companion while reading to "Medieval Illuminators & their Methods of Work" by Jonathan J.G. ALexander or "A History of Illuminated Manuscripts" by Christopher De Hamel.
I am interested in medieval manuscripts
Very informative and my copy, though used, is like new! I'm very pleased with this purchase!
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