PDF Ebook Interpretive Planning for Museums
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Interpretive Planning for Museums
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About the Author
Marcella Wells is President of Wells Resources, Inc. a woman-owned, small business that specializes in interpretive planning, visitor studies, and project management. Founded in 2000, Wells Resources works with federal, state, and local land management agencies, informal learning settings (museums, nature centers, arboreta, etc.) and non-profit organizations as an advocate for visitors an informal learning. Before founding the company, Marcella was a faculty member in the College of Natural Resources at Colorado State University where she mentored graduate students and taught several courses in interpretation, interpretive planning, environmental education, and leisure studies. She is past Vice President of the Visitors Studies Association, current member of AAMÂ’s Education Committee (EdCom), and Steering Committee member for the Children and Nature Connection in Fort Collins, Colorado. MarcellaÂ’s recent clients include the National Park Service, Adirondack Museum, Bureau of Reclamation, Colorado State Parks, Denver Museum of Natural History, National Park Service, royal British Columbia Museums, Walking Mountain Science Center, and numerous other public, private and non-profit organizations. In 2012, Marcella was awarded the Enos Mills Lifetime Achievement Award for the Colorado Alliance for Environment Education.Dr. Barbara ButlerÂ’s academic credentials include a BA in biology from Millikin University, Decatur, IL; an MA in anthropology from the State University of New York at Buffalo; and a Ph. D. in anthropology from Southern Methodist University, Dallas, TX. Barbara taught at North Texas State University, Denton, TX and the University of Delaware, Newark, DE before becoming the director of the Delaware Museum of Natural History. In 1990, she joined the staff of the Informal Science Education program at the National Science Foundation as program director of Informal Science Education and section head of the Science Literacy Section. Her tenure there was 10 years. Barbara has been active in Visitor Studies Association since the early 1990Â’s, serving two terms on the board, chair of the Albuquerque annual meeting local arrangements committee, and as chair of the VSA professional development committee.
Since retirement she has consulted with a number of informal learning organizations including the Japanese Friendship Garden, San Diego, CA; Biodiversity Project, Madison, WI; Chicago Botanic Garden, Chicago, IL; The Huntington Library, Art Collections, and Botanical Garden, Pasadena, CA; and the American Association of Botanical Gardens and Arboreta, Wilmington, DE, among others. She also serves on the board for the Placitas Artists Series, a local organization that provides chamber music, visual art, and a school outreach program in southern Sandoval County, New Mexico.Judith M. Koke is the Richard and Elizabeth Currie Chief, Public Programming and Learning at the Art Gallery of Ontario. Previously she was the Director, Education and Interpretive Programs at the Nelson-Atkins Museum of Art in Kansas City, Missouri. Koke served as an instructor for the University of Toronto’s “Museum Interpretation and Meaning-making” class in 2010 and 2011, and as an instructor in “Visitor Research and Evaluation” at George Washington University in Washington D.C. She was previously a Senior Researcher for the Institute for Learning Innovation, where she did a nationwide study of all IMLS-funded youth programs. She was also the evaluator at the Denver Museum of Nature and Science for seven years, where she managed visitor studies and evaluation.
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Product details
Paperback: 176 pages
Publisher: Routledge; 1 edition (February 3, 2013)
Language: English
ISBN-10: 9781611321579
ISBN-13: 978-1611321579
ASIN: 1611321573
Product Dimensions:
6 x 0.4 x 9 inches
Shipping Weight: 10.4 ounces (View shipping rates and policies)
Average Customer Review:
3.3 out of 5 stars
2 customer reviews
Amazon Best Sellers Rank:
#331,151 in Books (See Top 100 in Books)
One of the most important books on art museum interpretation out there and foundational to an emerging field.
This book isn't a book that is easy to follow nor is it the super hard but when you finish a chapter you come out with a HUH What did I just read, and you have to read it again.
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